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Navigating a New Poverty
Talking about women as currency
leaves a great sense of poverty
jawing at the grates.
What is really mine anyway?
My body vibrates
to reverberations
of pitches clamoring
across the globe.
I've become unanchored.
Catch me
and whisper
nonsense
into my ear
before
I float away.
(I will probably fall for it
in my degenerative state.)
I will navigate to new seas
that echo light red to red
across her delicate skin.
Dusk and dawn elevate
the senses to her colors
and sensuous breezes.
The taste of an other's tongue
like a ballerina's figure
in a well-formed Chaînés turn.
Impoverished and slinking
behind the implied motions
on an improvised stage.
I tend to respond well
to questions crafted
by artisans accidentally.
Waging the wind and waves
with temperate patience
pulling a heavy tack.
Fragments unending, I
collect pieces
to live on.
My currency is words,
trailing thoughts
to die on.
And women touch me,
plunging me
into the moment
asking me to feel
the coarseness
of my edges.
leaves a great sense of poverty
jawing at the grates.
What is really mine anyway?
My body vibrates
to reverberations
of pitches clamoring
across the globe.
I've become unanchored.
Catch me
into my ear
(I will probably fall for it
in my degenerative state.)
I will navigate to new seas
that echo light red to red
across her delicate skin.
Dusk and dawn elevate
the senses to her colors
and sensuous breezes.
The taste of an other's tongue
like a ballerina's figure
in a well-formed Chaînés turn.
Impoverished and slinking
behind the implied motions
on an improvised stage.
I tend to respond well
to questions crafted
by artisans accidentally.
Waging the wind and waves
with temperate patience
pulling a heavy tack.
Fragments unending, I
collect pieces
to live on.
My currency is words,
trailing thoughts
to die on.
And women touch me,
plunging me
into the moment
asking me to feel
the coarseness
of my edges.
4 Comments:
Nice one.
this women as currency thing feels a little uneasy.. are we whores? what's the price of love?
1) This isn't a poem about love.
2) This isn't a poem about women being objects, and certainly not whores.
This is a poem about loss. The question "What is really mine anyway?" alludes to the fact that women aren't something that can be owned or used as currency.
At the end of the poem I state that my currency is words - not women.
Which leads to the end of the poem where I basically state that women aren't there to be used by me, but have pushed me to see the parts of myself that I don't like.
My poverty isn't really directed to women at all; my poverty is myself.
Oh, man, Will. You didn't need to explain that or defend your poem. :-)
The poem speaks for itself. And very well.
Peace,
A
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